A MAS Update: Josie Osborne

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The Midwest Artist Studios Project has spent the past three years traveling the Midwest interviewing 24 artists from 18 cities/towns. This project has been such a joy to create and to see how these artists have touched the lives of art students through online interactions, emails, and social media.

One of the areas we pride ourselves in is staying in touch with these artists and hearing what they are up to these days? For the next two-months the MAS Project will be spotlighting one of our 24 artists by sharing with you what they are doing in their studio as well as in their communities. 

All three of our MAS publications are now available online.

Click here to buy your copy today!

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JOSIE OSBORNE

2014 MAS artist from Wisconsin

MAS: In what ways have you benefitted from your participation in MAS?

JO: I went up for Indefinite status (a tenure-like review process for Teaching Academic Staff) in my job at the University this past year and having the involvement in MAS and the publication exposure was good for me in that regard.

I have also gotten to know some new artists being a part of a cohort of artists who are committed to supporting art education.

I was a nice little shot in the arm for me in terms of my studio work, documenting my process, stepping back to think about what I do (step by step) and how I do it, was opportunity for reflection.

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MAS: In what ways has your work and/or working environment changed since your MAS interview?

JO: My work has grown and my working environment has contracted (due to state budget cuts to higher ed) while the work load has increased intensely. So carving out time to do the work has been more difficult. But MAS involvement has helped me to make that more of a priority.

MAS: What is one thing you wish you’d said in your original interview, or what is the one thing that you hope the MAS audience remembers about your and your work?

JO: I think that the MAS interview and project focused more on assemblage and box structures, because of the piece that I was working on at the time. But my work is also really informed and driven by a very basic human collage impulse that is connected to/the visual equivalent to poetry making. I also use printmaking processes as a way to make marks along with other approaches to mark-making.

I believe that poem writing or visual poetic object making will have an increasing relevance in these wild times of confusion, disbelief, change and upheaval.

Visit Josie’s website to see more of her work.

All images copyright of the artist and used with permission.

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Walker’s Point Center for the Arts hosts Midwest Artist Studios Group Show

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FOR IMMEDIATE RELEASE

February 6, 2017

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Exhibition Announcement

Walker’s Point Center for the Arts hosts 

Midwest Artist Studios Group Show

March 3 – April 1, 2017

Opening reception: Friday, March 10, 5:00–9:00 pm

 

Milwaukee, WI – Walker’s Point Center for the Arts (WPCA) is proud to host the first Midwest Artist Studios™ Group Show, opening on Friday, March 3. The Midwest Artist Studios™ (MAS) project is the brainchild of artist, gallerist and art educator Frank Juarez. Marking its third year in 2016, Juarez and a team of professionals including a writer, photographer, and videographer traveled throughout the Midwest, over 5800 miles and 18 cities/towns, visiting artists at their studios to document and learn about their art and process. This research provided the basis for the three volumes of rich curriculum resources and three catalogues.

Emmy Lingscheit (IL), Cover the Earth

Emmy Lingscheit (IL), Cover the Earth

The project creates a dynamic resource for K-12 students and art educators, drawing from current art practices of participating artists and using those practices to develop curriculum that is relevant, current and innovative. The project answers the criticism in art education of relying on decades-old curriculum, teaching the historic masters of art, e.g. dead artists, and not providing students context on or direct access to contemporary artists who are breaking new ground.

During Juarez’s studio visits, he and his team documented each of the artists’ studio environments, their process, and discussed what it is to be a working artist, including work schedule, work ethic, creative stimulation, what drives them, and much more. The content is published in a yearly volume along with a workbook with curriculum created based on each artist’s practice.

“This project began with a need within my art curriculum. I never imagined the impact that it has on secondary art education, regional artists, and the Midwest,” said Juarez. “What started as an idea developed into a resource that archives talented artists living in our region as well as working along these artists who embrace art education, inspiring the artists of tomorrow, and demonstrating that one can be successful living and working in their own community.”

Jenniffer Omaitz (OH), Shaping Space

Jenniffer Omaitz (OH), Shaping Space

The MAS Group Show will feature artwork by 15 M.A.S. participating artists between 2014-16. The artists are Jason Ackman, Jessica Anderson, Emmy Lingscheit from Illinois; Joshua Wilichowski from Minnesota; Lori Elliot-Bartle, Jody Boyer, Rachel Mindrup from Nebraska; Karri Dieken from North Dakota, Jenniffer Omaitz from Ohio, Jane Ryder from Iowa, Larry Thomas from Kansas, Suzanne Torres from Madison, Wisconsin; and Todd Mrozinski, Josie Osborne, Paula Schulze from Milwaukee.

The exhibition is curated and coordinated by Frank Juarez, with assistance from Josie Osborne and WPCA’s Howard Leu.

For more information, visit: midwestartiststudios.com and wpca-milwaukee.org

Walker’s Point Center for the Arts is a nonprofit organization in support of visual and performing arts and youth arts education. The center fosters creativity in children through innovative, hands-on education and encourages audience development and artistic talent with a diverse blend of programming. Our exhibitions, which features both regional and national talent, encourages thoughtful social dialog and community engagement.

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Josie Osborne and Paula Schulze from Wisconsin

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Today we visit the studios of Josie Osborne from Milwaukee and Paula Schulze from Shorewood. Josie is an assemblage artist and Paula is a printmaker. 

Josie Osborne

www.josieosborne.net

J_Osborne_Studio_Portrait_1Solace and quiet contemplation provide an antidote to our busy daily lives. We must seek out a balance between our fast-paced exterior lives and maintaining that rich interior life that brings together memory, imagination and a more poetic understanding of our daily experiences.

In Osborne’s assemblage boxes and print collages the elements used and the organization or treatment of space references dreams, poetry, memory, architecture, and a neo-modernist language of color, simplicity, process, materials and mark-making. The works bring together various aspects of my experience (both internal and external) and reflect a pondering of the relationships of those two realities as they place the necessary openness to intangible experiences in parallel to that which we physically and more directly experience in the world.

About

Josie Osborne is an artist and director of the First Year Program in Art and Design at UW-Milwaukee, Peck School of the Arts where she has taught for 6 years. She served for 12 years on the City of Milwaukee Arts Board and has received Mary Nohl Suitcase Fund support for an international studio residency and exhibitions of her work. She has curated and co-curated numerous exhibitions including Quiet at Walkers Point Center for the Arts, Miller and Shellabarger: Hiding in the Light at Inova Gallery and many others. For ten years, while serving as Director of Community Outreach at Milwaukee Institute of Art and Design, she co-founded and oversaw various award winning programs including the Creative Educators institute, Future Designers and the MOST Pre-College program. Osborne received her Master of Fine Arts in Graphics (printmaking) from the University of Wisconsin – Madison and her BFA in Painting and Drawing from UW-Milwaukee.

She has exhibited her work regionally and nationally. Select exhibitions include: Texture at Fredericksburg Art Center (VA), Fabulous Women Show and Top Drawer Prints (at Peltz Gallery in Milwaukee), In the Balance, (Walkers Point Center for the Arts), Thread (invitational at UNC-Charlotte); 5IVE (traveling exhibition: Walkers Point Center for the Arts, Milwaukee and Flagler College Carrera Gallery, Florida); Art Chicago (Hotcakes Gallery); Art Basel Miami (Hotcakes Gallery); Things Avian and Architectural (solo exhibition at Sharon Lynn Wilson Center for the Arts); Proscenium (solo exhibition at Wisconsin Academy of Science, Letters and the Arts), Wisconsin Painters and Sculptors Biennial, A Decade of Wisconsin Art (invitational, James Wattrous Gallery, Madison Overture Center), Diabolique (curated by Fred Stonehouse); UWM and MIAD Faculty Exhibitions. Osborne’s work has also been reproduced in literary journals and professional magazines, including The Cream City Review and the Madison Review.

Paula Schulze

www.paulaschulze.com

image_2Schulze explores notions of space and order in my work. She works in a reductive manner, drawing in charcoal or utilizing the printmaking technique of mezzotint. Over the past several years her work has moved from explorations of architectural space towards abstraction and flattened space, with an interest in maps and in pattern, geometry, ornament, and economy of form. She has been inspired by pre- and early-Renaissance art, with its ornamental detail and its elegant use of geometry as a backdrop to a larger narrative or devotional setting, and by traditional Islamic principles of geometry and design. In all of her work, through isolation and examination, she investigates formal elements and their ways of ordering space.  

About

Paula Schulze is a Milwaukee-area artist and printmaker. She has a BA in anthropology and Ibero-American studies from the University of Wisconsin-Madison and a MFA in printmaking from the University of Wisconsin-Milwaukee. She has participated in artist residencies at Anchor Graphics in Chicago; Hamilton Wood Type and Printing Museum in Two Rivers, Wisconsin; Scuola Internazionale di Grafica in Venice, Italy; and Fundación Valparaíso in Mojácar, Spain. She has also collaborated on temporary public art projects with the organization IN:SITE in Milwaukee. Images of these projects and her drawings and mezzotint prints are available online at http://www.paulaschulze.com.

All images copyright of the artist and used with their permission.