The Midwest Artist Studios Project has spent the past three years traveling the Midwest interviewing 24 artists from 18 cities/towns. This project has been such a joy to create and to see how these artists have touched the lives of art students through online interactions, emails, and social media.
One of the areas we pride ourselves in is staying in touch with these artists and hearing what they are up to these days? For the next two-months the MAS Project will be spotlighting one of our 24 artists by sharing with you what they are doing in their studio as well as in their communities.
All three of our MAS publications are now available online.
2015 MAS artist from Illinois
MAS: In what ways have you benefitted from your participation in MAS?
JA: I have personally benefited from my involvement with MAS in a variety of ways. The project has introduced and connected me with a bunch of artists in my region of the US. Artists that I would most likely not known about had I not been involved with the work of MAS (Thank you!).
It has given me more opportunities to not only talk and share info about the work I do but the work of other outstanding and fascinating artists in the Midwest. This is a welcomed change since often times it seems that “real artists” are located in the major cities in the US, specifically out west and east.
I also believe it has given me a boost of confidence and encouragement knowing that a project like MAS is interested in telling some of my story as an artist. Not only as an artist, but an artist from the part of our nation that is often times overlooked when it comes artists making meaningful, significant work.
MAS: In what ways has your work and/or working environment changed since your MAS interview?
JA: My studio work has drastically changed over the past year. Shortly after the MAS team visited my studio I held my first solo exhibit. Once that exhibit closed my studio practice took a major shift. My practice has now become more about the social and community interaction with the arts. I have spent very little time making work or objects that would be seen in an exhibit. Instead, I have been focusing my energies on developing a local arts and cultural center as well as renovating a historic brick mansion (in a rural town of 150 people) into a future artist residency program. Although I have not been making work in the traditional sense, this new “work” has evolved into a practice of sorts. The communal aspect of creating has become more of a focus for me.
MAS: What is one thing you wish you’d said in your original interview, or what is the one thing that you hope the MAS audience remembers about your and your work?
JA: There are so many things I would have liked to have said 🙂 I don’t even know where to begin.
Visit Jason’s website to see more of his work.
All images copyright of the artist and used with permission.