Josie Osborne and Paula Schulze from Wisconsin

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Today we visit the studios of Josie Osborne from Milwaukee and Paula Schulze from Shorewood. Josie is an assemblage artist and Paula is a printmaker. 

Josie Osborne

www.josieosborne.net

J_Osborne_Studio_Portrait_1Solace and quiet contemplation provide an antidote to our busy daily lives. We must seek out a balance between our fast-paced exterior lives and maintaining that rich interior life that brings together memory, imagination and a more poetic understanding of our daily experiences.

In Osborne’s assemblage boxes and print collages the elements used and the organization or treatment of space references dreams, poetry, memory, architecture, and a neo-modernist language of color, simplicity, process, materials and mark-making. The works bring together various aspects of my experience (both internal and external) and reflect a pondering of the relationships of those two realities as they place the necessary openness to intangible experiences in parallel to that which we physically and more directly experience in the world.

About

Josie Osborne is an artist and director of the First Year Program in Art and Design at UW-Milwaukee, Peck School of the Arts where she has taught for 6 years. She served for 12 years on the City of Milwaukee Arts Board and has received Mary Nohl Suitcase Fund support for an international studio residency and exhibitions of her work. She has curated and co-curated numerous exhibitions including Quiet at Walkers Point Center for the Arts, Miller and Shellabarger: Hiding in the Light at Inova Gallery and many others. For ten years, while serving as Director of Community Outreach at Milwaukee Institute of Art and Design, she co-founded and oversaw various award winning programs including the Creative Educators institute, Future Designers and the MOST Pre-College program. Osborne received her Master of Fine Arts in Graphics (printmaking) from the University of Wisconsin – Madison and her BFA in Painting and Drawing from UW-Milwaukee.

She has exhibited her work regionally and nationally. Select exhibitions include: Texture at Fredericksburg Art Center (VA), Fabulous Women Show and Top Drawer Prints (at Peltz Gallery in Milwaukee), In the Balance, (Walkers Point Center for the Arts), Thread (invitational at UNC-Charlotte); 5IVE (traveling exhibition: Walkers Point Center for the Arts, Milwaukee and Flagler College Carrera Gallery, Florida); Art Chicago (Hotcakes Gallery); Art Basel Miami (Hotcakes Gallery); Things Avian and Architectural (solo exhibition at Sharon Lynn Wilson Center for the Arts); Proscenium (solo exhibition at Wisconsin Academy of Science, Letters and the Arts), Wisconsin Painters and Sculptors Biennial, A Decade of Wisconsin Art (invitational, James Wattrous Gallery, Madison Overture Center), Diabolique (curated by Fred Stonehouse); UWM and MIAD Faculty Exhibitions. Osborne’s work has also been reproduced in literary journals and professional magazines, including The Cream City Review and the Madison Review.

Paula Schulze

www.paulaschulze.com

image_2Schulze explores notions of space and order in my work. She works in a reductive manner, drawing in charcoal or utilizing the printmaking technique of mezzotint. Over the past several years her work has moved from explorations of architectural space towards abstraction and flattened space, with an interest in maps and in pattern, geometry, ornament, and economy of form. She has been inspired by pre- and early-Renaissance art, with its ornamental detail and its elegant use of geometry as a backdrop to a larger narrative or devotional setting, and by traditional Islamic principles of geometry and design. In all of her work, through isolation and examination, she investigates formal elements and their ways of ordering space.  

About

Paula Schulze is a Milwaukee-area artist and printmaker. She has a BA in anthropology and Ibero-American studies from the University of Wisconsin-Madison and a MFA in printmaking from the University of Wisconsin-Milwaukee. She has participated in artist residencies at Anchor Graphics in Chicago; Hamilton Wood Type and Printing Museum in Two Rivers, Wisconsin; Scuola Internazionale di Grafica in Venice, Italy; and Fundación Valparaíso in Mojácar, Spain. She has also collaborated on temporary public art projects with the organization IN:SITE in Milwaukee. Images of these projects and her drawings and mezzotint prints are available online at http://www.paulaschulze.com.

All images copyright of the artist and used with their permission. 

Todd Mrozinski – Milwaukee, Wisconsin

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Today we head back to our home state to visit Todd Mrozinski at his studio inside the Nut Factory in Milwaukee. Visit toddmrozinski.com to check out his shadows series. 

Working Wall with Collard Green 2013“Butades, a potter of Sicyon, was the first who invented, at Corinth, the art of modeling portraits in the earth which he used in his trade. It was through his daughter that he made the discovery; who, being deeply in love with a young man about to depart on a long journey, traced the profile of his face, as thrown upon the wall by the light of the lamp. Upon seeing this, her father filled in the outline, by compressing clay upon the surface, and so made a face in relief, which he then hardened by fire along with other articles of pottery.”

-Pliny the Elder, in his Natural History (circa 77–79AD)

The shadow series started on the one year anniversary of my father’s death. Wanting to connect with him, Mrozinski started to paint his portrait based off of a black and white photo from when he was a young priest. He had not painted a traditional portrait in years and soon was frustrated. Disgruntled, he laid on the couch until his wife entered the studio. She saw the large amount of dark acrylic paint mixed on the palette and asked if she could cover the canvas so it would not go to waste. He agreed and took a nap. When he woke up, he noticed the warm light coming in through the front door. He looked out at the tree shadows and realized, in that instant, what he needed to paint. He took the dark canvas off the working wall, laid it on the ground, knelt down and traced the tree shadow directly onto the canvas. He realized as life is to light, death is to shadows, one cannot be without the other. His dad was showing himself in a different form and he felt his presence profoundly. The shadow series began.

Mrozinski’s work is a record of what is going on around him in the present moment. His subject matter is his family, friends, house and yard which he records and adorse on a daily basis. The beauty and power of shadows, the mysterious and ever changing light that creates them and their ambiguity and implied meaning continue to inspire me and infuse my work. Each painting begins by tracing the object’s cast shadow directly onto the canvas and is an actual size record of time and space. He is constantly amazed how a single outline can capture a gesture, mood and personality and how color and edge can create space, focus and mood. Each painting becomes a light infused container that preserves a moment, painted directly though the malleable and flowing medium of oil paint. Through drips, skeins and piles of paint, the surface becomes activated and glows with a light from within.

These are paintings of gratitude, joy and love that I feel for my family, home and loved ones and the light that infuses our lives. Intimate views of contemplation, interaction and everyday life are recorded during a specific time, conveying a universal feeling. He never knows what the next day will bring, it is a constant treasure hunt where the jewels are always right under my nose.

About

Born in Rensselaer, IN in 1974, Todd Mrozinski has loved to paint for as long as he can remember. He acquired his BFA in painting from the Milwaukee Institute of Art and Design in 1997 and in 1996 attended The New York Studio Program. He has been in solo and group exhibitions nationwide and his work is in various public and private collections. By focusing on two main areas, shadows and clothing, he explores the power of a subject’s presence through its absence. Meditation and contemplation as well as following inspiration and free flowing expression are essential to his working practice. Todd sees and shares the beauty and illumination of light and personality through drips and skeins and piles of paint. He and his wife, Renee Bebeau, have a studio in The Nut Factory, Riverwest, WI, where they offer art classes and workshops. He is currently represented by Woodman/Shimko Gallery, Palm Springs, CA.                                                      

All images copyright of the artist and used with their permission. 

The Last Revel becomes the Midwest Artist Studios Music of Choice

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a1274387985_10On Monday, August 4th, the Midwest Artist Studios (MAS) Crew had its second studio visit of the day with Minneapolis-based artist, Vincenzio Donatelle. As we approached the address we noticed a thin man wearing a dark gray fedora, sunglasses and a white painted apron. We parked and he greeted us with a smile. 

He gave us a tour of his house showing us some of his artwork before taking us into his studio, which was his basement. The basement reminded me of college basement –  full of stuff. However, he had a dedicated space where he made his art. 

As he was talking about his work he also talked about his music. Vincenzio plays in a band called The Last Revel.  He sings, plays the stand-up bass and fiddle. Being music lovers, we wanted to hear what type of music he played so we bought a CD, “Uprooted”.

Today as we were driving from Oskaloosa, IA to Kansas City, MO decided to play “Uprooted“. It was a perfect combo of cruising I-35S and listening to Folk/Americana music. The coolest part was knowing the artist who is also a musician topped with the experience we had  listening and watching him talk about his creative process. 

The_Last_Revel_by_Hope_Thier

As a team we decided to make The Last Revel’s “Uprooted” CD as our official road trip music of choice. It was a nice experience that we wanted to remember as we continue to travel the Midwest.

You can listen to The Last Revel’s music at www.thelastrevel.com  and follow them on facebook at facebook.com/thelastrevel.

To listen to their music click here. 

To view their calendar click here. 

All images copyright of the artist and used with their permission. 

Jamie Bates Slone and Catie Miller – Kansas City, Missouri

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Today’s studio visit is with Jamie Bates Slone and Catie Miller from Kansas City, Missouri. 

Jamie Bates Slone

jamiembates.com

jamiebatesslone_studio4The focus and significance of my work lies in the state of the human condition, the delicacy and fragility of the human construct in an emotional and physical sense. My experience is that of being part of an extended family that has endured a history of cancer and high mortality rate. As I have become more aware of my family’s history with illness through the examination of my memories, I have become wary of the future and empathetic of the past. I often find myself attributing to others my own unease in relation to cancer. This projection of my anxieties onto others acts as cancer does in metastasis, spreading from one location to another. My work is an examination and reflection of the memories, emotions, and anxieties caused by my family’s history with cancer with an emphasis on the relationship between human biology and human emotion.

About

Jamie Bates Slone is a ceramic artist known for her figurative work in clay paired with with projected imagery as surface as well as her experimental work in the casting of ceramic glazes. Her most recent work addresses the fragility of the human spirit in the midst of illness and loss in relation to her family’s history with cancer. Jamie earned her MFA with honors in Ceramics at the University of Kansas in Spring of 2012 where she received the Professional Development Assistance Award. She earned her BFA in Studio Art with and emphasis in Ceramics in 2008 at the University of Central Missouri. Jamie is currently a Foundation Resident Artist at Red Star Studios in Kansas City, Missouri and adjunct faculty in ceramics at Park University in Parkville, Missouri. Jamie has exhibited work in galleries throughout the U.S. including the Spencer Art Museum in Lawrence, Kansas, Jacob Lawrence Gallery in Seattle, Washington, First Street Gallery in New York City, New York, and the St. Petersburg Clay Company in St. Petersburg, Florida. She most recently won first place at the Clay3 National Juried Exhibition juried by Kurt Weiser.

Catie Miller

catiemiller.wix.com/ceramics

DSC_0107Loose, slightly humorous, and unsettling illustrations animate my ceramic artworks. I choose to draw portraits of people’s hidden lives, magnifying the people’s features and the private moments of their lives. Currently, I am exploring the obsessive collection of things—hoarding, and how this fixation interferes with the quality of daily life and relationships. Growing up, we had a lot of stuff; overflowing boxes of papers, small mountains of clothes, and a cat for every family member. Frequently moving throughout my life has forced me to evaluate my relationship with my possessions. I incorporate multiple layers of surface to create a crowded environment for the narrative. Much like hoarding challenges home as comfort, the addition of exaggerated ornamentation and form challenges the comfortable feeling of function, engaging the viewer to contemplate his or her relationship to objects.

About

Catie Miller graduated from Minnesota State University Moorhead (MSUM) with a degree in Art Education and a Bachelor of Fine Arts degree with a ceramic emphasis in May 2013. After graduation, Miller relocated to Kansas City, KS and accepted a long-term artist residency at Red Star Studios. With a variety of interests she has developed skills in an array of areas including printmaking and drawing. She has embraced many opportunities to work within the art community teaching and coordinating classes for youth and adults interested in the arts.

Miller has shown her work nationally and internationally as well as throughout the Midwest. She has been showcased in several local and national publications, including Ceramics Monthly’s “Undergraduate Showcase” and “Exposure.” Additionally, she was a member of the Fargo Moorhead Visual Artists group serving on the board as treasurer and was involved as an education intern with Walking, Waiting, Wandering, Words—a public art project developed through the Arts Partnership and the City of Fargo.

All images copyright of the artist and used with their permission.

 

 

Jane Ryder – Iowa

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Today’s trip takes us to Oskaloosa, Iowa.

Jane Ryder

janeryder.com

janeryderBMy paintings are a right-brained approach to observing, dissecting, and recording the objective subject matter found in the lakes, rivers, prairies, and forests of south central Iowa. As my intimacy with the land surrounding me evolves, so do my approaches for depicting the complexities of varying terrains and the plants and animals that occupy them.

Each of my gouache paintings is a fictitious ecosystem that has been broken down into a series of vignettes. Each vignette describes the decay, growth, and interaction between the flora and fauna of that imagined place. Although bold colors, re- peating patterns, and flattened space make the paintings appear fantastic in nature, each scene is based off an observation.

I am constantly inspired by the complexities of the natural world. My work is an ever evolving narrative about the interconnectedness of all things and the functions of an organism in a community of plants and animals.

About

Jane Garrett Ryder was born and raised in the fine state of Illinois. In 2005 she received her BFA from Bradley University and went on to earn her MFA at Northern Illinois University four years later. In 2009 Ryder moved from Northern Illinois to South Central Iowa; where she can be found tromping through various muddy environments in search of fossils, arrowheads, and new artistic content. Her change from an urban environment to a rural setting has influenced her paintings in many significant ways. A deeper understanding of the interactions between man, animal, plant, dirt, water, and sun have affected the content and compositions of Ryders body of work.

Josh Wilichowski and Vincenzio Donatelle – Minnesota

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Today our journey takes us into the studios of Josh Wilichowski and Vincenzio Donatelle

Josh Wilichowski

wilichowski.com

desk 14Men have come to understand through tradition, the media, our families, and our peers, that a man must maintain a rough-hewn, stoic façade to overcompensate for even the most basic feelings. Many males choose to bolster their identity by submitting to the stereotype, surrounding themselves with the trappings of masculinity. In this case, by utilizing these trappings in conjunction with coping tools like posturing, blending in, and physical redirection, they are allowed a loophole in which to express themselves and their hidden emotions.

The resulting manifestations of these actions become markers, each functioning as a personal vehicle. They carry with them such things as reminiscence, emotional exploration and identity. Like a pedigree, these attributes can be traced and recorded, and allows a view of each totemic relationship. In my work, I create allegories of these accessories and the accompanying masculine redirections through the investigation of transferal, the documentation of emotional pathways, and the use of the actual objects.

The object I am currently examining is the pickup truck. The truck is designed to pull and carry immense loads, as well as be a hard-working and dependable partner for its operator. However, it also readily accepts the added burden of transporting more delicate emotional payloads such as intimacy, pride, and self-doubt.   My current body of work is the study of trucks and my attempt to further understand not only the machine, but also the stigma of being a man.

About

Joshua Wilichowski (b Wausau, WI, 1975) received his Master of Fine Arts in Sculpture from the University of Wisconsin – Madison. A multi-media artist, his work investigates both the relationship we form with and the importance placed on inanimate objects. His work has been exhibited at venues nationwide, including RocksBox Contemporary Art in Portland, OR, the P3 Gallery in Las Vegas, NV, as well as numerous colleges and art centers. He currently lives and works in North St Paul, MN.

Vincenzio Donatelle

vincenziodonatelle.squarespace.com

IMG_0270I use the repetitive images, textures and language of my work to produce semi-narrative compositions in the forms of paintings, collages and prints. I often employ structural elements to activate the space within the gallery thus forming an important middle ground in between the content within the frame and the viewer.

I observe the intersections of the individual, the social and their pathways producing serendipity, the rational versus the nonsensical as well as the way that the natural world collides with the artificial one to construct the human environment. I am particularly interested in the way stimulatory noise produced by this contemporary environment cohesively flows and recedes to produce concrete experience along side ambiguity.

About

I grew up in a family that was both supportive and demanding, which is kind of necessary when your family runs a restaurant and catering business together. When you grow up in that kind of environment you learn about working hard and constantly at pretty young age, of course you also learn the benefits of being your own boss too. None the less, everyone in my family is creatively minded, my mom was actually a sculptor, and my dad a painter. I saw my sister, fight her way into an Italian medical school which, may have taken a level of creativity that I cannot comprehend. I saw my brother grow into an incredibly intellectual artist, attending MCAD and just recently graduating from SVA in NYC. But from a young age we were always, almost repetitively were told this beautiful piece of nihilistic optimism: “You need to work hard at whatever you do, and find comfort in that, because when you do throw yourself into it, perhaps, no one will notice or care, in fact others may try to beat it out of you, the world will try and snap you out of it. But, if you don’t make the effort in the first place, without a doubt, nothing will happen.”

I recently graduated from MSU, Mankato and moved up to Minneapolis to live with my girlfriend, Julia, our Flemish giant and seven of our best friends. Since moving up I’ve had to struggle with making money in between making art and playing music in order to sustain myself and my life. Sometimes money, or lack there of, is more frustrating than anything else, because it can totally stifle or completely halt the creative process. For example, I needed to pay studio fees in May that resulted in me not being able to afford anything to print with or on. You learn to figure it out though, especially because there isn’t much of an option, except for maybe getting a service industry job. That all being said, I take pride in what I do, despite the hardships that come naturally. Though, frustrating as it can be, I think those moments force one to step back, examine, revise and tweak the theory or concept behind the work which, I believe can be just as relevant as producing work in the first place.

All images copyright of the artist and used with their permission.

The Midwest Artist Studios Project is officially launched

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In less than 2 hours we will be on the road for the first part (of a 3-part project) of the Midwest Artist Studios Project.

Here is our schedule for August 3-10, 2014.

Featured studio artists are:
August 4 | Josh Wilichowski, North St Paul, MN
August 4 | Vincenzio Donatelle, Minneapolis, MN
August 5 | Jane Ryder, Oskaloosa, IA
August 7 | Jamie Bates Slone, Kansas City, MO
August 7 | Catie Miller, Kansas City, MO
August 8 | Todd Mrozinski, Milwaukee, WI
August 9 | Josie Osborne, Milwaukee, WI
August 9 | Paula Schulze, Shorewood, WI
August 10 | Suzanne Torres, Madison, WI

today is the day

We will be sharing updates and photos via facebook.com/midwestartiststudios.