The Midwest Artist Studios Project has spent the past three years traveling the Midwest interviewing 24 artists from 18 cities/towns. This project has been such a joy to create and to see how these artists have touched the lives of art students through online interactions, emails, and social media.
One of the areas we pride ourselves in is staying in touch with these artists and hearing what they are up to these days? For the next two-months the MAS Project will be spotlighting one of our 24 artists by sharing with you what they are doing in their studio as well as in their communities.
All three of our MAS publications are now available online.
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2016 MAS artist from Kansas
MAS: In what ways have you benefitted from your participation in MAS?
LT: I think probably the most important element for me, is that I’ve gotten to connect with students again, at least to some degree. Since I retired I’ve missed sharing my experiences with students. I can only hope the students, and possibly some teachers, got some exposure as to how I proceed through my work. A lot of what I do with collages is similar to what other artists do, but maybe there is one little tip or approach they weren’t familiar with.
MAS: In what ways has your work and/or working environment changed since your MAS interview?
LT: Since I’ve been a practicing artist for over 40 years, my studio environment has evolved over that time pretty slowly. There are some things that are just a part of the routine and ritual that I have developed over a long period of time. That being said, after I did the lesson plan I feel like I’ve improved and become more efficient in creating my work. The process of having to organize, research, self-analyze and present my art-making method in a text/photo format was a very good exercise for me. As Socrates said, “A life unexamined is not worth living.” I like to think I’m constantly examining and re-examining myself and everything around me.
MAS: What is one thing you wish you’d said in your original interview, or what is the one thing that you hope the MAS audience remembers about your and your work?
LT: I always hope that my work is compelling and mysterious in some way, and that its not illustrative or trite.
Opening June 2017, Larry will have a solo exhibition, So You Think You Know. It will be an immersive installation comprised of hundreds of small collages. He has explored the concepts of perception, deception, invisibility and camouflage, both visually and metaphorically, for over 20 years. For the Nerman Museum’s Kansas Focus Gallery, he has constructed intimate collages employing traditional means like painting, drawing, and printmaking combined with the more contemporary medium of digitally generated images – each work a response to the barrage of information which engulfs us daily.
photo credit: Larry Thomas at work in his Olathe, KS studio, courtesy the artist
Visit Larry’s website to see more of his work.
All images copyright of the artist and used with permission.